Page 3 - Unit_4
P. 3

BOOK  TITLE  HERE




                                                  ROUTING AND  I/ O



                ,Q WKH FRQWH[W RI /LYH  ³URXWLQJ´ LV WKH VHWXS RI WKH WUDFNV¶ VLJQDO VRXUFHV DQG GHVWLQDWLRQV  L H   WKHLU LQSXWV DQG
                RXWSXWV   0RVW URXWLQJ KDSSHQV LQ WKH PL[HU¶V WUDFN ,Q 2XW VHFWLRQ  ZKLFK RIIHUV  IRU HYHU\ WUDFN  FKRRVHUV WR
                VHOHFW D VLJQDO VRXUFH DQG GHVWLQDWLRQ  7KH PL[HU¶V ,Q 2XW VHFWLRQ LV /LYH¶V ³SDWFKED\´
                The In/Out section can be independently shown or hidden from the Session and Arrangement Views.

                7RJJOH LWV YLVLELOLW\ XVLQJ WKH , 2 0L[HU 6HFWLRQ VHOHFWRU  RU YLD WKH 9LHZ PHQX¶V ,Q 2XW RSWLRQ






















                For every track that can play clips, the In/Out section has the same layout:

                7KH XSSHU FKRRVHU SDLU  ³$XGLR 0,', )URP´  VHOHFWV WKH WUDFN¶V LQSXW  $XGLR WUDFNV KDYH DQ DXGLR LQSXW  DQG
                MIDI tracks have a MIDI input. Return tracks receive their input from the respective sends.

                7KH 0RQLWRU UDGLR EXWWRQ VHOHFWV WKH PRQLWRU PRGH  WKH FRQGLWLRQV XQGHU ZKLFK WKH WUDFN¶V LQSXW LV KHDUG
                through the track.
                7KH ORZHU FKRRVHU SDLU  ³$XGLR 0,', 7R´  VHOHFWV WKH WUDFN¶V RXWSXW  $OO WUDFNV KDYH DXGLR RXWSXWV  H[FHSW IRU
                MIDI tracks without instruments. Remember that instruments convert MIDI to audio.

                Within a chooser pair, the upper chooser selects the signal category (“Ext.,“ for instance, for external
                connections via an audio or MIDI interface), and is called the Input/Output Type chooser. If this signal type
                RIIHUV VXE VHOHFWLRQV RU FKDQQHOV  WKH\ DUH DYDLODEOH IURP WKH ORZHU FKRRVHU  RU WKH ,QSXW 2XWSXW &KDQQHO
                FKRRVHU  ,Q RXU ³([W ´ H[DPSOH WKHVH ZRXOG EH WKH LQGLYLGXDO DXGLR  0,', LQSXWV DQG RXWSXWV



                                                     MONIT ORING



                ³0RQLWRULQJ´  LQ WKH FRQWH[W RI /LYH  PHDQV SDVVLQJ D WUDFN¶V LQSXW VLJQDO RQ WR WKH WUDFN¶V RXWSXW  6XSSRVH \RX
                have set up an audio track to receive its input signal from a guitar. Monitoring then means that the signal from
                \RXU OLYH JXLWDU SOD\LQJ DFWXDOO\ UHDFKHV WKH WUDFN¶V RXWSXW  YLD WKH WUDFN¶V GHYLFH FKDLQ  ,I WKH WUDFN¶V RXWSXW
                LV VHW WR ³0DVWHU´ \RX FDQ KHDU WKH JXLWDU VLJQDO  SURFHVVHG E\ ZKDWHYHU HIIHFWV DUH XVHG  DQG GHOD\HG E\
                whatever latency the audio hardware interface incurs), over your speakers.

                7KH  GHIDXOW $XWR PRQLWRULQJ  VHWWLQJ  GRHV  WKH  ULJKW  WKLQJ  IRU  PRVW  VWUDLJKWIRUZDUG  UHFRUGLQJ  DSSOLFDWLRQV
                0RQLWRULQJ LV RQ ZKHQ WKH WUDFN LV DUPHG  UHFRUG HQDEOHG   EXW PRQLWRULQJ LV LQKLELWHG DV ORQJ DV WKH WUDFN LV
                playing clips.







                                                           030
   1   2   3   4   5   6   7   8