Page 5 - Unit_4
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BOOK TITLE HERE
MONO /S TERE O C ONVERSIONS
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mono or when the track plays mono samples.
Mono is turned into stereo simply by using the identical signal for left and right channels. When a track is
routed into a mono output, the left and right signals are added together and attenuated by 6 dB to avoid
clipping.
EXTERNAL MIDI IN/ OUT
MIDI from the outside world is routed into Live just like audio. From the Input Type chooser of a MIDI track,
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The Input Channel chooser offers the individual input channels of the selected MIDI port and the merged
signal of all channels, “All Channels.“ As is the case with audio inputs, the Input Channel chooser also has
meters next to every entry to represent activity on the respective input channel. If multiple MIDI tracks are
selected, any changes you make to these choosers will be applied to all selected tracks.
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individually.
PLAYING MIDI WITH THE C OMPUTER KEYBO ARD
The computer keyboard can be used for generating MIDI notes from computer keyboard strokes. To turn the
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the Options menu entry.
The center row of letter keys on the keyboard will As it happens, when the computer keyboard is set
play notes corresponding to the white keys on a WR VHQG QRWHV EHWZHHQ & DQG & WKH NH\V DUH
SLDQR EHJLQQLQJ RQ WKH OHIW ZLWK WKH QRWH & 7KH mapped to MIDI notes such that the center row of
black keys on a piano correspond to the upper row of the keyboard (ASDF...) addresses the Impulse
computer keys. The four leftmost letters on the lower SHUFXVVLRQ VDPSOHU¶V VDPSOH VORWV 7KLV PHDQV WKDW
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keyboard) are used to transpose the note range and computer keyboard.
to set velocity, as follows:
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The next two keys (C and V) adjust incoming note \RX FDQ WXUQ WKH FRPSXWHU 0,', NH\ERDUG RII
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